The
Arthur Darknell Double • An Open Letter From Ray Garton
About
The Book • Ordering
• Ray Garton Letter • Production
Values
•
Darknell?
• Artwork
As a writer, I've been feeling restless. Upon completion of my
most recent horror novel, The Loveliest Dead, I was not
left with the feeling of solid satisfaction I usually feel upon
finishing a novel. The thrill, as they say, was gone. I've been
writing horror for twenty-one years. I began in the days of horror's
wild popularity, and I've stuck around to watch it sink into obscurity
as far as publishing is concerned. Very few people are buying horror
these days. At least, they're not buying it from me. I’m in
this writing game to make a living. I've been feeling frustrated,
tired, and when it comes to horror, a little worn out.
Then one day I got into a conversation online with the great
Tom Piccirilli about noir. He sent me a few books to read that he thought
were representative of the genre and gave me a list of others to seek
out.
The books arrived in the mail, and I picked one up and started
to read. Before I knew it, I'd plowed my way through the whole stack in
no time at all. The books were rich and deeply satisfying, filled with
human drama and the kind of juicy morsels I've always enjoyed in fiction
-- sex, murder, obsession, blackmail, betrayal. I bought more books and
plowed through those. In noir, I'd found something that excited me again,
something that made me want to sit down and write like a fiend. And I
did.
MURDER WAS MY ALIBI was my first
shot at the genre. Now, looking back on it, I realize that, while it has
a few stripes of the genre, it's not quite noir, it's more of a hardboiled
detective story, if that. But it's a step in the right direction. LOVELESS
is definitely more on the money.
Noir is not necessarily about private eyes, although the
hardboiled and noir genres sometimes cross paths. Noir is about desperate
people who don't do the right thing. It's about not having enough money
to pay the rent, or your bookie. It's a man discovering that he lost it
and went over the edge and killed the woman who betrayed him, a man who
now has to go on the run in the unsavory underworld. It's about danger
and despair and love gone wrong. That sort of thing.
Noir and horror have a lot in common. They're both very
dark, and both utilize shock and surprise. But noir is much more interested
in the psychology of its characters, and that’s what appeals to
me so much.
As I was writing my first novel in the genre, I decided
to use a pseudonym for my work this genre. I decided on Arthur Darknell
-- Arthur is my middle name, and Darknell is my dad's mother's maiden
name, and I like it because it has the word "dark" in it, which
is very appropriate.
This is among my earliest attempts at the genre —
I'm still feeling my way along. It's a genre that's new and fresh to me,
one that I've fallen in love with in much the same way I fell in love
with horror so long ago. As a writer, I feel like I'm starting all over
again, which, at 43, kind of makes me feel young again, and there’s
sure nothing wrong with that.
I hope my horror fans will enjoy my noir just as much as
they've enjoyed my horror fiction. If anything, I hope it introduces them
to this wonderful genre, and inspires them to seek out some of the great
writers of noir who are continuing to inspire me.
— Ray Garton
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